Sometimes, drums are recorded quite badly, or out of step with the rest of the tune. It’s your job to fix it. Here are two common approaches to mixing live drums.
From film and TV to corporate and commercial gigs, part two of “Mixing Audio for Video” explores how to approach an audio post-production workflow.
From audio repair to vocal mixing, we take you through the basic steps required to make a vocal shine.
Have questions about mix automation in a DAW? We have answers. Learn what automation is, when to use it, the types of automation modes, and more.
In part one of this mini series, “Mixing Audio for Video,” we cover the basics: types of audio post formats, typical workflows, and some key terminology.
In this tutorial we cover tips for mix bus processing, including using Ozone’s Multiband Compressor to glue and frame the mix bus, and adding harmonic excitation to blow the lid off the mix.
Should you use a transient shaper or a compressor? From drum loops to synth leads, we examine six times a transient shaper just might beat a compressor.
2-Minute Tips is a video series that teaches you quick mixing techniques using iZotope’s mixing, mastering, and music production plug-ins.
Subtractive EQ—the process of eking out unwanted frequencies from an audio source—can give producers and audio engineers immediate results mixing audio. In this post we provide seven tips for how to use it.
One of the most popular questions those mixing music ask is, do you need a subwoofer? We consider the important stuff, like: what are you planning to mix? What’s your room like? Do you have neighbors?
What is a submix? What are some ways you can use them in your music production and mixing? In this blog we cover a few ways to set up submixes, from the simplest to the most grandiose.
Studio monitors are some of the most important pieces of a home studio. In this guide, we cover types of monitors and the best options for a DIY home recording setting.