The developer of Mouth De-click, iZotope’s principal DSP engineer Dr. Alexey Lukin, describes how it works and what makes it different from other declickers.
Luis Saldarriaga (Salda) shares his experience working on Luis Fonsi's "Despacito," including the recording setup and using Ozone 7 Advanced.
With Future Islands’ 2017 album The Far Field out, we caught up with producer John Congleton for a behind-the-scenes look at the new record.
Hit Boy’s personal mixing engineer, David Kim, gives career advice and recalls the time he recorded strings for Kendrick Lamar’s To Pimp a Butterfly.
In this interview, two of The Naked And Famous band members share their favorite iZotope plug-ins, Trash 2 and Iris 2, and how they use them to produce songs like “Young Blood.”
Mark Henry Phillips is the producer, recordist, editor, sound designer, and composer of Homecoming. He shares how he tied everything together.
Stefan Henrix, Supervising Sound Editor for three episodes of Black Mirror Season 3, talks about creating eerie sounds.
Multi-instrumentalist Peter Mol of indie-pop band Zerbin talks about making money from music publishing, collaborating on songs remotely, and more.
Owl City talks with iZotope about songwriting on tour, pop music, film scoring, and how he uses RX to rescue old audio.